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The Future Store

by Vegas With Randolph

/
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      $9 USD  or more

     

  • Compact Disc (CD) + Digital Album

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    ships out within 90 days

      $14 USD or more 

     

  • Compact Disc (CD) + Digital Album

    Includes unlimited streaming of The Future Store via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 90 days

      $20 USD or more 

     

  • Compact Disc (CD) + Digital Album

    "The Future Store" plus all Four Previous VWR CD's!!

    Includes unlimited streaming of The Future Store via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    shipping out on or around May 1, 2024

      $29 USD or more 

     

1.
What If? 03:42
WHAT IF? words & music by John Ratts & Eric Kern, intro by Brock Harris Who can say what the future holds No one can No one knows I couldn’t tell you if our time will come Or what tomorrow brings for anyone I’ll turn the tables Hand it back to you Can you tell me what dreams might come true If you could look into a crystal ball Read the tea leaves and then tell us all What if, What if I found you and you wanted me And I wanted you And we were meant to be What if I could lift the veil and see Our destiny Throw the bones Read my palm Please tell me Tell me more than just wait and see Wishing wells behind hidden doors Fortune tellers know I’m wishing for What if, What if I found you and you wanted me And I wanted you And we were meant to be What if I could lift the veil and see Our destiny
2.
N.S.A. 03:48 video
N.S.A. (Kern/Ratts) Since you've been gone away The days have been partly sunny all the time Since you're in yesterday The way is getting easier to find I don't mind telling you, feels like a second wind I don't mind saying I'm a phoenix, baby, born again and Since we've been N.S.A. Things are a little better every day So now its a brand new day and brand people up fill up all my time I'm putting the past away Freeing up my soul, freeing my mind I don't mind saying I feel stronger than I've ever been and I don't mind telling you I'm feeling like I'm going to win and Since we've been N.S.A. Things are a little better every day N.S.A. Attach no string to make love linger N.S.A. Don't put a ring around my finger Maybe some other day But today we've got to keep it N.S.A. Hold on Why rush "right" in to "wrong"? Hold on Our love can still be strong Hold on Well just like in Bethlehem A brand new star is lighting up my way 'Cause babe I'm a changing man If change is good, then good is where we'll stay I don't want to tie you down We both need lifting up Were walking on higher ground When walking with no ties that bind us Tomorrow's another day But for now we better keep it N.S.A. N.S.A. Attach no string to let love linger N.S.A. Don't put a ring around my finger At the end of the day We're free to be together N.S.A. We're free to be together N.S.A.
3.
GIVE IN TO LOVE (Ratts/Kern) I'm dying for something I've never had It's got me aching, a dull pain that stabs into my heart and straight through my soul It's more than a feeling or so I'm told... Maybe I'm crazy, or soon to be A fever is rising inside of me and I would give everything just to know should I keep hanging on or just let go And give in to love like a fairy tale I've heard give in to love like a poet full of words and thoughts of you, only you, my world's coming undone I want to give in to love Thunder and lightning, fire and rain, earthquakes and eruptions: love's other names. forces of nature can't be denied just like the real thing, I feel it growing inside Should I give in to love like a fairy tale I've heard give in to love like a poet full of words that's what I am, all I am, an anthem unsung I want to give in to love I need to give in to love like a fairy tale I've heard give in to love like a poet full of words and thoughts of you, only you, my world's coming undone I've gotta give in to love Should I give in to love like a fairy tale I've heard give in to love like a poet full of words that's what I am, all I am, an anthem unsung I want to give in to love I need to give in to love like a fairy tale I've heard give in to love........
4.
A PRETTY GOOD RUN (Kern/Ratts) Well these days were not half bad They only made me halfway sad And I've got half a mind to tell you it's ok But the bus is pulling out So I suppose I’ll be en-route Before the sun comes up on your pretty good day It only took us half a lifetime to feel pretty far away So I’m texting you to say… It was a pretty good run It was a pretty good ride You looked pretty good with the sun sparkling in your eyes And I’m completely dismayed Pretty sorry to say It was a pretty good run baby I miss you already Well we shared some pretty good times And we shared some pretty similar pain I’ve got a pretty good mind to hold tightly to your pretty frame I’m more than halfway at a loss At how this world makes fools of us With every roadblock we construct in our own way So Im calling you to tell you if I’ve nothing else to say I’m so glad I saw your face It was a pretty good run It was a pretty good ride You looked pretty good with the sun sparkling in your eyes And I’m completely dismayed Pretty sorry to say It was a pretty good run baby I'll miss you always Was it our mistakes or a mix of fate and taking us for granted That found me on a west bound greyhound letting go of you? It was a pretty good run It was a pretty good ride You looked pretty good with the sun sparkling in your eyes And I’m completely dismayed Pretty sorry to say It was a pretty good run baby I’ll miss you always I'll miss you always
5.
DON'T STOP YOUR LOVE (Ratts/Kern) Another day anticipating, time goes by, tick tock... I've got a little rhythm in my head, keeps running, won't stop I've been thinking and contemplating I've done everything right Now you're hesitating Come on, come on babe don't keep me waiting Don't stop your love Keep it coming, pour it on me Believe it, I need it Keep it coming please I love the release Don't stop your love Silence like a broken wall clock, time goes by, no tick tock Affection is a perfect refrain, please play it again You've been thinking, and you've been saying That I'm pre-occupied and I'm procrastinating I'm sorry baby, I won't keep you waiting Don't stop your love Keep it coming, pour it on me Believe it, I need it Keep it coming please I love the release Don't stop your love
6.
I FEEL GREAT (Kern, Burton, Ratts) we made a promise long ago we would never wind up strangers (we should be) lying in love's afterglow not all swept up in life's changes now that we've locked it all away was it not enough to fall apart? you broke my heartbreak now that we've finally turned the page would you please just go away i've got nothing left to say it's over and it's okay another monday afternoon another hour for feeling grateful another waxing gibbous moon to refortify the faithful now that we've locked it all away was it not enough to fall apart? you broke my heartbreak now that we've finally turned the page would you please just go away i've got nothing else to say it's over and i feel great you don't have to listen to me sing this song you don't have to be my friend you don't have to tell me anything at all baby, this is the end now that we've locked it all away was it not enough to fall apart? you broke my heartbreak now that we've finally turned the page would you please just go away i've got one last thing to say it's over and i feel great it's ok, i feel great i feel great
7.
HOWL AT THE MOON (Ratts / Stringfellow / Kern) I'm not the same when you're not here the minutes are hours, the hours are years I finish my coffee, clean the house I do all the laundry, you're still out... what can I be, what will I do if I can't have my time with you loneliness my only friend when you're gone I'm lost again I'll pick flowers in the light of day I'll write poems when you go away chase butterflies in the afternoon I'll kill some time while I wait for you and if you're not back soon I'm gonna howl at the moon where do you go when you go away you come and go but you never stay did I ever give you any reason to lie? I hear the ticking of the clock I binge watch some Netflix then pace the block I jump to the window when car go by I'm losing my mind and you know why... what can I be, what will I do if I can't have my time with you loneliness my only friend if you leave me I'm lost again I'll pick flowers in the light of day bring them home and watch the colors fade I'm chasing rainbows every time it rains what once was familiar's getting kinda strange and if you're not back soon I'm gonna howl at the moon They say I'm crazy, it's all in my head oh, but you're real to me, you're real to me you're real... I set the table, pour the wine sure that you're showing up this time... what can I be, what will I do 'cause there's nobody else like you if you aren't who I thought you were then what's a boy to do? I'll pick flowers in the light of day I'll write you songs that you'll never play I'll go hungry and I'll never sleep when I go in, I go deep and if you don't show up soon no if you don't come home soon yeah, if I don't find you soon I'm gonna howl at the moon
8.
TRIPLE PLAY: SATURDAY (Kern, Ratts) Saturday found me crying about a love that is dying tears that flowed like an ocean like you away from me you were one in a million but I'm still one of the lucky ones Saturday's silver lining finding what Sunday brings...
9.
TRIPLE PLAY: BEST DAY (Ratts, Kern) had a dream last night it seemed so real a fantasy i can't conceal and then i woke up and here i am lying in my bed reality outside my head i need to get up and who knows what the day will bring i could do most anything who knows what i'll find it might just be the best day of my life
10.
TRIPLE PLAY: ROCK BESIDE ME (Kern, Ratts) i want you to rock beside me and i need you right behind me for all we do and all we can be i want you to rock beside me for life
11.
TRIPLE PLAY: HEARTSICK (Ratts, Kern) another day's been kept with your shuffle step you make your slow way home another evening before you another few hours spent alone you've got a school to pass, the children laugh there is wonder in the world but for you life's secret meanings have grown tired, stale, and old the siren sings and the future brings heartache to everyone with a heart with a hope with a love so you think on her and drink on her stay up the whole night through when the morning light comes shining you're still wrestling with the truth so you drink no more and think some more and sleepwalk through the days for the ones left still before you are just notes held out to fade
12.
TRIPLE PLAY: DAYS & DAYS (BRIDGE) (Kern, Ratts) restless ways turn into lazy days of summertime another crime of wine and love and song will you drink with me will you sing with me will you love me until all our days are gone?
13.
TRIPLE PLAY: WHEELS OF LOVE (Ratts, Kern) she was a perfect contradiction a mystery of fact and fiction he was a model of self control they never met up at a roadshow or crossed paths chasing rainbows she was a little bit too old thats just how it goes just a few hellos in passing on a painting everlasting bold strokes, deft lines, fast roles he tried a sidestep and got smashed up she went to sleep and never woke up and so the world will never see the endless possibilities co-starring in the heavens everlasting legends two fallen stars upon the ground we're all artists painting life's a canvas waiting and the wheels of love go round and round yeah, the wheels of love go round
14.
TRIPLE PLAY: EVERY TIME (Kern, Ratts) i used to hurry too much i used to worry too much, too but now i've got you and i don't need to do that i used to get all uptight i used to drink every night through but now it's alright because i drink each night with you it took a lot of bad days until i found my way to you so this time are you going to be mine baby, are you going to be mine? every time it bends my mind how everyday i'm blown away I can't deny she does it to me every time i used to look for the signs i used to practice my lines too and try to be smooth like i knew what i was doing it took a lot of bad days until i found my way to you so this time are you going to be mine tell me are you going to be mine? 'cause every time she bends my mind and every nerve responds to her like fireworks she does it to me every time and every day blows me away like tides and sea and gravity: reliably she does it to me every time every night she fills the sky and mountains shake and stars collide she blows my mind approximately everytime and every day blows me away her sky and sea, her autumn breeze overwhelms me unquestionably every time every time it bends my mind how every day i'm blown away like northern lights she does it to me every time every night she fills the sky and mountains shake and stars collide like moon and tides she does it to me every time
15.
LAKE PARADISE (Kern/Ratts) I can still remember when I was twenty two it didn't take a minute for me to fall to fall in love with you the day really started when the workday's finally through and i can hear it calling now i've got to make it back somehow but the real world's pressing every day responsibility they say "put those childhood things away come to work with me (stress with me) work with me (stress with me)" I'm getting back.... I'm getting back to your sunny eyes on starry nights by the waterside I'm getting back to where the pace is slow Did you ever wake up and not know you're alive? stuck in autopilot when it really should be you you should drive when you're going through the motions and it all feels far away can't you hear it calling now? I've got to make it back somehow though stress is building every day I reject it outright-ly Let's put those toxic things away come dance with me, dance with me dance with me, dance with me I'm getting back.... I'm getting back to your sunny eyes on starry nights by the waterside I'm getting back to where my ship comes in I'm looking out for my dirt road west some friends and some Milwaukee's Best I'm getting back to Lake Paradise again They may say it's a crisis of midlife but I know its my soul that calls me back to Paradise, Paradise..... I'm getting back.... I'm getting back to your sunny eyes on starry nights by the waterside I'm getting back to where the sun shines in I'm looking out for my dirt road west some friends and some Milwaukee's Best I'm getting back to Lake Paradise again I'm getting back to Lake Paradise again
16.
SHAKE THE CAGE (Ratts, Kern) I'm just a monkey working in a lab I've got the feeling that I'm being had and if I'm lucky there's a purpose that I really don't understand I've been poked and prodded all day long I've been used and I just know its wrong No I don't, I don't wanna be experimented on.... I've been patient, I've been cool I've played along as they expect me to I've been watching, waiting, and scheming my escape Grab the bars and shake the cage Reach for the keys and shed your chains Make your move and split the scene I know you know just what I mean "cause you've been thinking the same Yeah, grab the bars and shake the cage Well I'll put one more chalk mark on the wall I won't look back as I run down the hall I'm gonna give it all up, after giving my all I was patient, I was good I played along just like a caged monkey would Still all the while I was waiting For just one little mistake... Grab the bars and shake the cage Reach for the keys and shed your chains Make your move and split the scene I know you know just what I mean "cause you've been thinking the same Yeah, grab the bars and shake the cage
17.
Show Me How 03:03
SHOW ME HOW (Purol/Kern/Ratts) In darkness, to still laugh aloud to mine the silver from the cloudy day to not complain another day is here to show me how to take a step when hope is grey against all odds to still stay in the game to maintain another day is here to show me how the sun checks in when we begin to send it out again from numbness, to feel love again to rise up from the ashes of the end to transcend another day is here to show me how the sun checks in when we begin to send it out again an open door a future store a chance to find a better life to move beyond my selfish plight to lift up hearts and light them with desire to inspire another day is here to show me how another day is here to show me how another day is here to show me how another day is here to show me how another day is here to show me how
18.
I'LL BE WAITING FOR YOU (Ratts, Kern) Lizzie, you're so pretty that i'm standing on a corner waiting on a wish for some weather made to order staring at the clouds hanging in a clear blue sky i don't wonder why i'm sure everyone knows why love comes and goes whenever you walk by a little rain is good to wake up people that are sleeping i will wait for you and a promise is for keeping all i really need is just the chance to never say goodbye i do wonder if you'll be walking my way and what would you say to a shared moment with me i'll be waiting for you when the rain comes down i'll be waiting for you when the sun comes out blue skies or black, umbrella in my hand i'll hang around like the moon like an empty vase next to flowers in bloom i'll be waiting for you standing on the sidewalk pulling petals 'til you get here umbrellas are for sharing we can squeeze in tight together looking up i can't see any white in a clear blue sky still i know soon youre going to drift into view with clouds forming on cue, and i'll be waiting for you i'll be waiting for you when the rain comes down i'll be waiting for you when the sun comes out blue skies or black, umbrella in my hand i'll hang around like the moon like an empty vase next to flowers in bloom i'll be waiting for you
19.
I CAN'T WALK AWAY (Kern, Ratts) Man, it's really dark tonight there are clouds in every passerby there's no cold like winter rain i feel a chill in everything and i can't hold out that long when everything is gone it doesn't take a cyclone and i wonder how i came so far to feel so lame i could live or check out any day but i can't walk away from this pointless joke i choke on everyday i'm too far gone, just let me lay so you missed the boat again waiting for what might have been did it cost you everything to be hoping and imagining? and she never will compare to castles in the air to your residential deep domestic nightmare and i couldn't help but hear you've begun to disappear man, we all could use a way right out of here... and i can't walk away from this losing game the cards are stacked to play it's "just your luck" i heard her say no i can't walk away from this sinking ship i watched you sail away i'm too far gone, just let me lay...
20.
HEARTSICK REPRISE (Ratts/Kern)
21.
Like the pine trees lining the winding road I got a name, I got a name Like the singing bird and the croaking toad I got a name, I got a name And I carry it with me like my daddy did But I'm living the dream that he kept hid Moving me down the highway Rolling me down the highway Moving ahead so life won't pass me by Like the north wind whistling down the sky I've got a song, I've got a song Like the whippoorwill and the baby's cry I've got a song, I've got a song And I carry it with me and I sing it loud If it gets me nowhere, I'll go there proud Moving me down the highway Rolling me down the highway Moving ahead so life won't pass me by And I'm gonna go there free Like the fool I am and I'll always be I've got a dream, I've got a dream They can change their minds but they can't change me I've got a dream, I've got a dream Well, I know I can share it if you want me to If you're going my way, I'll go with you Moving me down the highway Rolling me down the highway Moving ahead so life won't pass me by Moving me down the highway Rolling me down the highway Moving ahead so life won't pass me by
22.
"THE FUTURE STORE" LINER NOTES - By Mike Lidskin Hello, fellow Vegas With Randolph fan. We last met in the Above The Blue album liner notes, and I’m glad we’re both back to celebrate this fifth installment of the VWR catalog, The Future Store. On previous albums, fellow writers have noted that the album they wrote notes for was the best Vegas With Randolph album to date. I now get to make that claim. It’s true–The Future Store is the finest Vegas With Randolph album yet! With this album, the band comes off of their longest interval between albums. Much has transpired between 2018 and 2024. The loss of beloved bassist Dan Aylestock. A global pandemic, which affected musicians and their audiences. And of course, a lot of life has happened in six years. The big question on everybody’s mind: How will Vegas With Randolph respond? The answer: Fast and furious out of the gate, with a sense of urgency. The core team of John Ratts, Eric Kern, Brock Harris, and Dave Purol are making up for lost time. This album is a rocker. It starts off powerfully with hard rocking drums and guitar riffs, and doesn’t slow down or let up until over 50 minutes later, when the introspective track, I Can’t Walk Away, closes the “regulation” portion of the album, before taking a tribute song encore. Along the way, you’re going to experience a tour de force of songwriting and performance. For the most part, the songs alternate between John’s and Eric’s compositions, with the writer taking lead vocals on each of their songs. Since there are three guitarists in the band, you’re going to be treated to some great six string fireworks. Eric, a keyboardist/guitarist, has now also picked up bass duties and did a splendid job. Notably, there is one final track that features Dan Aylestock’s bass playing: Give In To Love. Oh–and don’t worry–the patented soaring vocals and harmonies are front and center on this record. That's always been Vegas With Randolph’s secret weapon-those harmonies. But what would a VWR album be without a few special guests? And boy, these guys always know who to invite. Hillary Burton (honeychain, Nushu) and Ken Stringfellow (The Posies) help out in back-to-back tracks, a killer one-two punch of songwriting and vocals. Also, a really cool thing happened. Phil Kenzie, the man responsible for the legendary saxophone solo on Al Stewart’s Year of the Cat, plays a sax lead on “Don’t Stop Your Love.” It’s stellar–it plays more like a guitar lead. A Vegas With Randolph feature I’ve always loved returns to this album: a medley of seven short original songs, this time entitled Triple Play. It takes you through several moods, some upbeat, some more reflective, but ending on an optimistic note with glorious poetic metaphors and music to match. Usually, there’s a standout track or three that capture my attention on an album. So which tracks made me jump out of my seat on The Future Store? All 21 of them! I refuse to pick a favorite this time around, because they all are equally strong and worthy of your attention. Any one of them will sound great on my radio show, and they will all get their chance. This album is upbeat and largely positive. In some songs, the guys are hopeless romantics, in others, they are hopeful romantics. The breakup songs are mature. No hard feelings, just a realization that it’s time to move on with your life. Even the kiss-off song, I Feel Great, with Hillary Burton, helps you to understand that sometimes a little self-care is needed after an ended relationship, and you’ll be better off once you reach the other side. And finally, I alluded to an encore at the end of the album. After the album’s most reflective song, I Can’t Walk Away, there’s a brief but gorgeous string and piano instrumental, Heartsick Reprise. A bit of a palate cleanser, and then onto the bonus track, a surprise cover of I Got A Name, perhaps my favorite Jim Croce song. VWR gives it a rock treatment, while still respecting the uplifting vibe. It’s always risky taking on a song of such magnitude, but the guys did it right. This tribute adds to the original. I can’t think of another band I’d trust with this classic. The original always got me in the gut, and this one does too. Chills. A glorious finale. I’m lucky, because I don’t have to try to encourage you to get this album. You’ve already got it. We both know what happens now. Put it on, and enjoy the next 56 minutes. You deserve this album. Mike Lidskin Woody Radio Sacramento, California

about

"THE FUTURE STORE" LINER NOTES - By Mike Lidskin

Hello, fellow Vegas With Randolph fan. We last met in the Above The Blue album liner notes, and I’m glad we’re both back to celebrate this fifth installment of the VWR catalog, The Future Store. On previous albums, fellow writers have noted that the album they wrote notes for was the best Vegas With Randolph album to date. I now get to make that claim. It’s true–The Future Store is the finest Vegas With Randolph album yet!

With this album, the band comes off of their longest interval between albums. Much has transpired between 2018 and 2024. The loss of beloved bassist Dan Aylestock. A global pandemic, which affected musicians and their audiences. And of course, a lot of life has happened in six years. The big question on everybody’s mind: How will Vegas With Randolph respond?

The answer: Fast and furious out of the gate, with a sense of urgency. The core team of John Ratts, Eric Kern, Brock Harris, and Dave Purol are making up for lost time. This album is a rocker. It starts off powerfully with hard rocking drums and guitar riffs, and doesn’t slow down or let up until over 50 minutes later, when the introspective track, I Can’t Walk Away, closes the “regulation” portion of the album, before taking a tribute song encore.

Along the way, you’re going to experience a tour de force of songwriting and performance. For the most part, the songs alternate between John’s and Eric’s compositions, with the writer taking lead vocals on each of their songs. Since there are three guitarists in the band, you’re going to be treated to some great six string fireworks. Eric, a keyboardist/guitarist, has now also picked up bass duties and did a splendid job. Notably, there is one final track that features Dan Aylestock’s bass playing: Give In To Love. Oh–and don’t worry–the patented soaring vocals and harmonies are front and center on this record. That's always been Vegas With Randolph’s secret weapon-those harmonies.

But what would a VWR album be without a few special guests? And boy, these guys always know who to invite. Hillary Burton (honeychain, Nushu) and Ken Stringfellow (The Posies) help out in back-to-back tracks, a killer one-two punch of songwriting and vocals. Also, a really cool thing happened. Phil Kenzie, the man responsible for the legendary saxophone solo on Al Stewart’s Year of the Cat, plays a sax lead on “Don’t Stop Your Love.” It’s stellar–it plays more like a guitar lead.

A Vegas With Randolph feature I’ve always loved returns to this album: a medley of seven short original songs, this time entitled Triple Play. It takes you through several moods, some upbeat, some more reflective, but ending on an optimistic note with glorious poetic metaphors and music to match.

Usually, there’s a standout track or three that capture my attention on an album. So which tracks made me jump out of my seat on The Future Store? All 21 of them! I refuse to pick a favorite this time around, because they all are equally strong and worthy of your attention. Any one of them will sound great on my radio show, and they will all get their chance. This album is upbeat and largely positive. In some songs, the guys are hopeless romantics, in others, they are hopeful romantics. The breakup songs are mature. No hard feelings, just a realization that it’s time to move on with your life. Even the kiss-off song, I Feel Great, with Hillary Burton, helps you to understand that sometimes a little self-care is needed after an ended relationship, and you’ll be better off once you reach the other side.

And finally, I alluded to an encore at the end of the album. After the album’s most reflective song, I Can’t Walk Away, there’s a brief but gorgeous string and piano instrumental, Heartsick Reprise. A bit of a palate cleanser, and then onto the bonus track, a surprise cover of I Got A Name, perhaps my favorite Jim Croce song. VWR gives it a rock treatment, while still respecting the uplifting vibe. It’s always risky taking on a song of such magnitude, but the guys did it right. This tribute adds to the original. I can’t think of another band I’d trust with this classic. The original always got me in the gut, and this one does too. Chills. A glorious finale.

I’m lucky, because I don’t have to try to encourage you to get this album. You’ve already got it. We both know what happens now. Put it on, and enjoy the next 56 minutes. You deserve this album.

Mike Lidskin
Woody Radio
Sacramento, California

credits

released April 29, 2024

All Songs Written, Recorded & Mixed by Vegas With Randolph
except "I Got A Name" written by Norman Gimbel & Charles Fox
and "I Feel Great" written by Kern/Burton/Ratts and "Howl At The Moon" written by Ratts/Stringfellow/Kern
Mastered by Steve Turnidge at UltraViolet Studios, Seattle

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Vegas With Randolph Washington, D.C.

Vegas With Randolph’s music has been called “ebullient, unabashed power pop”, “thinking man's party music,” and “blissful pop songwriting at its finest” and their music has been compared to Fastball, Sloan, and Fountains of Wayne.

VWR is currently working on tracks for a fifth CD - look for this release in late 2023! VWR includes John Ratts, Eric Kern, Brock Harris, and David Purol.
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